An acclaimed writer goes searching for the truth about her wildly unconventional Southern family—and finds that our obsession with ancestors opens up new ways of seeing ourselves.

Maud Newton’s ancestors have vexed and fascinated her since she was a girl. Her mother’s father, who came of age in Texas during the Great Depression, was said to have married thirteen times and been shot by one of his wives. Her mother’s grandfather killed a man with a hay hook and died in a mental institution. Mental illness and religious fanaticism percolated through Maud’s maternal lines, to an ancestor accused of being a witch in Puritan-era Massachusetts. Maud’s father, an aerospace engineer turned lawyer, was a book-smart man who extolled the virtues of slavery and obsessed over the “purity” of his family bloodline, which he traced back to the Revolutionary War. He tried in vain to control Maud’s mother, a whirlwind of charisma and passion given to feverish projects: thirty rescue cats, and a church in the family’s living room where she performed exorcisms.

Their divorce, when it came, was a relief. Still, the meeting of her parents’ lines in Maud inspired an anxiety that she could not shake; a fear that she would replicate their damage. She saw similar anxieties in the lives of friends, in the works of writers and artists she admired. As obsessive in her own way as her parents, Maud researched her genealogy—her grandfather’s marriages, the accused witch, her ancestors’ roles in slavery and genocide—and sought family secrets through her DNA. But sunk in census archives and cousin matches, she yearned for deeper truths. Her journey took her into the realms of genetics, epigenetics, and the debates over intergenerational trauma. She mulled modernity’s dismissal of ancestors along with psychoanalytic and spiritual traditions that center them.

Searching, moving, and inspiring, Ancestor Trouble is one writer’s attempt to use genealogy—a once-niche hobby that has grown into a multi-billion-dollar industry—to expose the secrets and contradictions of her own ancestors, and to argue for the transformational possibilities that reckoning with our ancestors has for all of us.

Maud Newton has written for The New York Times Magazine, Harper’s, The New York Times Book Review, and Oxford American. She grew up in Miami and graduated from the University of Florida with degrees in English and law.

Maaza Mengiste is a novelist, essayist, and photographer. She is the author of the novel, The Shadow King, which is shortlisted for the 2020 Booker Prize, and was a 2020 LA Times Book Prize Fiction finalist. Her debut novel, Beneath the Lion’s Gaze, was selected by the Guardian as one of the 10 best contemporary African books and named one of the best books of 2010 by Christian Science Monitor, Boston Globe, and other publications. She is the recipient of an American Academy of Arts and Letters Award in Literature, a DAAD Artists-in-Berlin Fellowship, a Cullman Center for Scholars and Writers Fellowship, the Premio il ponte, a Fulbright Fellowship, a National Endowment for the Arts Award, and a Creative Capital Award. Her work can be found in The New Yorker, The New York Review of Books, Granta, the Guardian, The New York Times, Rolling Stone, and BBC, among other places.